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Fifty thousand years ago, a meteorite hurtled through space heading straight for Earth and what is now Northern Arizona just outside Winslow.  Traveling 26,000 miles per hour and weighing 300,000 tons, the iron-nickel meteorite crashed with a force 150 times greater than an atomic bomb. The resulting impact crater is as deep as the Washington Monument is tall, almost a mile wide and available for viewing everyday at Meteor Crater & Barringer Space Museum .  Considered the best-preserved impact site in the world, Meteor Crater is a national landmark and a must-see gem when traveling through Arizona.  The crater is massive and various stats are offered to help understand its scope. One employee shared that 20 football fields could fill the crater floor and more than 2 million spectators could line the crater’s sloping sides. According to exhibits, the crater’s circumference is over three miles. The size and scale of Meteor Crater is impressive and can be admired from multiple observation decks at different elevations and during guided walking tours along the rim. The public is not allowed to venture down into the crater bowl.  The visitor facility is top notch, especially the Discovery Center & Space Museum. It features quality exhibits and hands-on activities explaining the science of meteors and the history of this specific impact site. There is also a small theater, which shows a well-produced movie about the crater at regular intervals. One of the most fascinating aspects of the crater is its long association with the U.S. space program. In the 1960s, NASA prepared its Apollo astronauts for moon exploration at the bottom of Meteor Crater.  Why? Because the moon is covered in impact craters, so Meteor Crater's rough terrain is perfect for emulating the moon’s surface. In fact, Buzz Aldrin and Neil Armstrong, who became the first to walk on the moon during their historic 1969 trip, trained at Meteor Crater. Placed at the very bottom of the crater is a six foot mannequin in a space suit representing an astronaut. It looks like a tiny white dot, daunted by the crater’s massive size. You can see the “astronaut” and other special features within the crater by looking through fixed telescopes at the observation decks.  Additional onsite features include an actual Apollo 11 training space capsule; a gift and mineral shop; and Meteor Crater Mining Company, a coffee house/lounge with snacks, drinks and grab-and-go food items. Meteor crater is a stop worth making. In addition to seeing and learning about this unique, natural wonder, it’s clean, well-run, and looks brand new – a major plus for any tourist destination.  Tips for Visiting : • Open daily, 8 am - 6 pm (open until noon on Thanksgiving; Closed on Christmas Day) • If you're short on time, 90 minutes is plenty for a quick visit. • The facility is easy to navigate. There are some stairs, especially outside, but accessibility options are available. • Ample parking. • Pets aren’t allowed into the facility, but a secure, shaded pet area is available. This story is part of a series that highlights some of the historic, kitschy and beautiful sites when driving coast-to-coast along 1-40 and Route 66, aka the “Mother Road.”

Williams is a small Northern Arizona town that’s big on nostalgia and Americana. As soon as we drove into town, it didn’t take long to figure out that's what Williams is all about.  We were greeted by a large arc proclaiming “Gateway to the Grand Canyon.” Children were playing baseball adjacent to a large American flag. Families were eating ice cream as they walked along the sidewalk. Vintage train cars were parked on nearby tracks. There were numerous markers, signs and murals noting that the historic Route 66 is the downtown’s main road. And, rising up all around the town were incredible forest covered mountains. So , Williams is the place for you if you love trains, Route 66 history, the outdoors or plan to e visit the Grand Canyon. That’s a lot for such a little town (pop. 3,398) to pack in! It's no wonder the town's visitor center website boast: "Small Town Nostalgia Meets Grand Adventure. " The Charm of Williams and the Route 66 Experience For decades Route 66 was one of America’s most popular and well-traveled highways. It ran from Chicago to Santa Monica with plenty of little towns, cities and sites to see in between.  Beginning in the 1950s, Route 66 along with other worn out roads was slowly replaced by the interstate system, ultimately causing economic troubles for hordes of towns, tourist attractions and businesses along the way.  In 1984, Williams became the very last Route 66 town to be bypassed by an interstate (I-40). The fabled road was decommissioned the next year. Efforts to create a national Route 66 Preservation Corridor followed and Williams is doing its part to celebrate the historic road. Route 66, also nicknamed the  “Mother Road” and “Main Street America,” is the actual main street of downtown Williams.  All A-Glow: Tourist Traditions Live On Every night the downtown is bathed in neon and pulses with a certain kind of retro charm. As an added bonus, the area is flat, compact and easy to get around—perfect for walking the sidewalks along Route 66 and popping in and out of shops.  Being downtown at night is like stepping into a time machine. It’s no wonder the entire business district is listed on the National Registry of Historic Places. Every business seems to have a neon sign and feature something to lure you in, similar to the roadside tourist attraction tradition made famous along Route 66. Sitting outside the Colors of the Wes t souvenir shop is a mechanized bearded, old-timer sheriff that laughs and greets you. Colors of the West   and its sister store across the street, Copper Canyon Trading , have everything you could ever imagine souvenir-wise. Hundreds of T-shirts, coffee mugs, barrel upon barrel of salt water taffy flavors and hot sauce varieties displayed as if they were fine wines. Guarding it all is a mechanized, talking buzzard perched on a replica (I assume) steer skull. There’s also a huge collection of Route 66 items, which is pretty much the same for all the souvenir stores in town. The Addicted to Route 66  store down the street is hoping to get the attention of tourists with the teal and white 1954 Oldsmobile sitting out front. Look closely, a mannequin dressed as Elvis is sitting behind the wheel!  If that site doesn’t draw you in, maybe the lure of seeing the world’s largest Route 66 shield sign inside will. If you want a magnet, coffee mug or anything else emblazoned with Route 66 or 50s-themed posters and memorabilia, then this is the place to go.   Probably, the best example of a Route 66 roadside attraction in downtown Williams is the Poozeum . Yes, you read that right. It's a museum dedicated to poo, specifically fossilized dinosaur poo, which are called coprolites.  We kind of snickered before we went in thinking it was a tourist trap. But, it’s legit and we really enjoyed ourselves.  The museum is free and features all kinds of coprolites and facts about dinosaurs that only their poo can tell, such as diet, behavior and the environment. The museum, which boasts the largest certified coprolite collection in the world, has been featured in national magazines and news programs and its exhibits are often loaned to science museums. The museum itself is small and rotates exhibits from the larger, overall collection. The coprolites are housed in museum-quality displays and the accompanying banners play up the roadside attraction aspect of the unusual collection. We learned a lot, especially from the owner who is friendly and knowledgeable. The museum is unusual and great all at the same time. If you or your children are into dinosaurs, then stop in. If you can’t visit, then check out the website—it’s informative, too.  I just have to say, the museum’s logo with an image of a cartoonish T-Rex sitting on a porcelain throne and the slogan, “# 1 for fossilized # 2, ” is clever marketing. For a nightly, live-action attraction, be downtown at 7 p.m. to watch the Cataract Creek Gang’s   Wild West Show . Every night this group of “cowboy bandits” take over a section of the main road and puts on a comedy show for about 20 mins.  It’s silly, hokey and hugely popular, especially with kids. It’s not everyday a show happens in the middle of a street. Side note, I thought the gang’s name was a dig at the age of a couple of the actors, but nope, there is an actual Cataract Creek and Cataract Lake nearby.  If you're interested in a little history, follow one of the town’s pathways, which includes a Santa Fe train car bridge, to the Welcome and History Park . The park is small, featuring a few train cars and historical placards. The park’s big Route 66 sign is a great selfie spot. The path begins close to the intersection of Grand Canyon Blvd and Route 66/E. Bill Williams Ave. and runs past the Poozeum toward the edge of downtown.  Other downtown and nearby attractions in Williams include the Route 66 Zip Line , Canyon Coaster Adventure Park   and Pete’s Route 66 Gas Station Museum .   Dining Along the Mother Road To fully immerse yourself in all the nostalgic Route 66 “feels,” plan to eat at Cruiser’s Route 66 Cafe . The cafe fronts the historic road and its decor of neon signs, restored gas pumps, black and white checkered floors and old road signs all pay homage to it.  The menu features classic diner and comfort food, including burgers, fries, pulled pork mac-n-cheese, smoked brisket, wings, ice cream, banana splits, milkshakes and so much more. Indoor and outdoor seating is available, but if the weather is nice pick a fresco, especially when live music is available. Another delicious place to eat with a fun atmosphere is Station 66 . Woodfired pizza is the star of the menu and for good reason. The fired-charred crust is delicious! On a nice day, sit outside at the wooden picnic tables and among the old gas pumps. It’s especially festive at night when the crisscrossing strings of cafe lights overhead turn on.  Next door is an extension of Station 66, the Historic Brewing Barrel House   featuring a full menu, craft beer and cocktails and activities such as mini skee-ball. The Gateway to the Grand Canyon Williams proclaims itself as the “ Gateway to the Grand Canyon ” and for good reason. It’s an hour south from the Grand Canyon’s South Rim, which is a half hour closer than driving from Flagstaff. And, frankly, it’s hard to compete with Williams’ small town charm. The town of Tusayan is the closest town to the Grand Canyon, literally at the park’s entrance. But, it is super small (population 558) and there isn’t much to do. It’s basically a collection of some hotels and a sparsely stocked general store.  We stayed in Williams during our visit to the Grand Canyon and it was an added bonus of fun things to do. The town is safe, friendly and easy to figure out and navigate. We were there in late May, a few days after Memorial Day, and had zero traffic problems or lines to wait in.  We arrived at the gate around 8:30 am and it was a weekday, which helped. During peak season and weekends traffic could be a headache. If you want to avoid any driving issues, then arriving by train may be your best bet. Or, look into the companies in Williams that specialize in tour excursions to the Grand Canyon.     All Aboard! The Historic Grand Canyon Railway & Hotel The Grand Canyon Railway , which is on the National Register of Historic Places, is a big feature of Williams. The railway is 65 miles long and runs from Williams to the Grand Canyon’s South Rim.  When built, the railway, completed by Atchinson, Topeka and Santa Fe Railway in 1901, provided a faster trip than the eight hour stage coach ride from Flagstaff, according to the railway’s website. The railway helped increase tourism to the Grand Canyon and the development of park features such as the Grand Canyon Village.  Passenger rail service stopped in the late '60s when cars and road trips were more popular. In 1989, rail service was restored and continues to operate today, every day of the week. The railway is a popular way to travel to the Grand Canyon, especially since you can enjoy the sites of northern Arizona desert prairie along the way. Passengers ride in refurbished vintage trains cars and choose among six different classes of service, each offering different levels of amenities and experiences. The train ride takes about 1.5 - 2 hours each way with three hours at the South Rim unless you are staying overnight in the park. It only takes an hour to drive from Williams to the Grand Canyon, but if you want to avoid peak seasonal traffic and dealing with parking, then the train is a relaxing option. The Grand Canyon Railway depot , which is over 114 years old, is right behind the Grand Canyon Railway Hotel . Package deals combining ride and room are available.  The hotel’s site has a long history of hospitality associated with rail travel. The Fray Marcos Hotel opened there in 1908 with just 22 rooms. Today’s hotel, designed to look like the Marcos, opened in 1995 and has 298 rooms. The hotel's main reception and sitting area is grand and warm with deep leather couches, a stone fire place, vaulted ceiling and dark wood trim. When the fire roars at night it's an especially relaxing spot. Overall, the hotel is well-maintained with nice amenities, including an indoor pool. The rooms are updated with modern finishes and decor. The furnishings and accessories reflect a railroad theme in subtle ways, such as a metal rivet detail on the headboards and framed black and white photos of steam engines. The rooms are gracious—a double queen, for instance, has plenty of room for a family of four. The hotel has a kind of Disney-esq quality with its landscaped flower beds and piped music playing outside. There are also historic train cars and engines displayed on the grounds. The hotel hosts special events during the year, such as the hugely popular Polar Express. Book that one way in advance. One of the hotel’s best features is its proximity to the heart of downtown Williams, an easy five min walk. It’s not an inexpensive hotel, but if it's in your budget, it’s worth it. The hotel also has a RV park if that's how you're traveling. Even if you aren’t staying at the hotel (there’s a new Hampton Inn on the edge of town), it's a just a nice place to walk around and see. And, the hotel’s lounge, Spencer’s Pub, is a quiet place to grab a late night drink and dessert.  If you’re a train or history enthusiast visiting Williams in 2025, the Arizona Railroad Heritage Park and Arizona State Railroad Museum may be open. According to its website, the park will be spread across 21-acres. The park's centerpiece will be a museum designed with the feel of railroad engine houses and repair shops. Visitors can expect hands-on exhibits, archives, an outdoor amphitheater and more. Get Outdoorsy The great outdoors is another special feature of Williams, which is surrounded by the world’s largest ponderosa pine forest. Since the town is at the base of Bill Williams Mountain in the Kaibab National Forest , the choices for outdoor recreational activities, include biking, fishing, and exploring with all-terrain vehicles. The forest is over 1.6 million acres and also borders the north and south rim of the Grand Canyon Want to explore the national forest? Check out Grand Canyon UTV Tours in downtown Williams and its backcountry tours. This company also hosts tours to the bottom of the Grand Canyon. If lake life is more your thing, then check out the fishing, boating and picnic options at Cataract Lake, just outside of town. Visit-Worthy Williams If you find yourself heading west outside Flagstaff along I-40, make a plan to exit in Williams. It embodies so much of the lore wrapped up in America’s transportation history. Plus, it’s a convenient homebase for a Grand Canyon visit.  The charm of Williams is ever present. It definitely caters to tourists and it’s a little kitschy, but it’s fun, unique and offers something for the entire family.  For more information about Williams, check out the visitor center’s website at www.expereincewilliams.com This story is part of a series that highlights some of the historic, kitschy and beautiful sites to see when driving coast-to-coast along 1-40 and Route 66, aka the “Mother Road.”

She was a scandal. Pouty lips, rumors of wild unladylike behavior and, of course, all that money. Broadway torch singer Libby Holman married into the wealthy R.J. Reynolds family at the height of the Great Depression, but her story was anything but a dream come true. Tragedy, whispers and innuendo followed her throughout her life. Libby’s story is like a film noir screenplay. All the ingredients are there including wealth, passion, intrigue and, most importantly, a suspicious death. Libby, along with a suspected lover, was indicted for the death of her young husband, Zachary “Smith” Reynolds, but the whodunit remains unanswered today. Zachary "Smith" Reynolds, his wife Libby Holman and the Reynolda estate. From the N.C. Department of Cultural and Natural Resources website Was it murder, an accident or suicide are questions at the heart of “Zach & Libby: Two Rings, Seven Months, One Bullet,” a special exhibit at the Reynolda House Museum of American Art in Winston-Salem, N.C., until Dec. 31. Reynolda was Smith's family home and where he lost his life. The exhibit, along with a tour of the estate is an intriguing deep dive into this shocking story. A Small City with Big Money Smith’s death was a national scandal in the 1930s and the public hung on every headline and newsreel, especially with Libby’s subsequent indictment. The backdrop was Winston-Salem, a small, Southern city that benefited from tobacco and textile money. At its heart, Winston (locals always drop the Salem part) and its residents aren’t that different now as they were then. It’s a polite town where people smile at strangers. Residents enjoy low-crime, a high level of education and live among beautiful tree-filled landscapes in the heart of N.C.'s piedmont. The arts are appreciated and volunteerism thrives. It was never a place where you’d imagine its most influential family rocked by a possible murder. The Reynolds-produced cigarette brands, Salem and Winston, were even named after the city. I lived in and around Winston for decades and knew about the suspicious death at Reynolda, the family’s estate. But, the murder happened so long ago, I didn’t know about the key players in great detail, especially one. Then, I happened to wander into an antique consignment shop just a few miles from where all the action happened. Tucked among old lamps, toys and costume jewelry, I spotted the cover of a book. It featured a dramatic caricature of a woman clad in a long, hot pink dress. Her hair was dark and wild, her lashes extra long and her lips big and brazen. I read the back cover and realized this was all about the wife and possible murderess of the Reynolds heir. I bought the dusty book, “Dreams that Money Can Buy: The Tragic Life of Libby Holman” by Jon Bradshaw , and read it within days. At the time, I wondered how this incredible, headline-grabbing story had remained unsolved and dwindled away. Yes, it happened in the 1930s, but the elements of the case, the setting and everyone involved are fascinating. Fred Koester's 1960 poster of Libby Holman on display in the Reynolda House exhibit. The same image was used on the cover of Jon Bradshaw's 1985 book about the torch singer. Reynolda: Luxury Among Nature Smith’s father, Richard Joshua Reynolds, grew up on a tobacco farm in Virginia. After college, he settled in Winston and built his empire, the R.J. Reynolds Tobacco Company. He married Katharine Smith and together they had four children: R.J. Reynolds Jr. (Dick), Mary, Nancy and Smith. The family lived downtown, not far from the tobacco factories. As the hustle and bustle of city life wore thin, Richard and Katharine decided to seek refuge among nature and the result was building Reynolda. Katharine bought large tracts of land just outside the city and construction soon followed. The gracious mansion has sixty rooms, including eight bedrooms, many with an adjoining sleeping porch (important plot point!). Arial view of Reynolda estate in 1927 showing main house and the adjacent gardens and village. Photo from the Reynolda House Museum of American Art Archive. Recreational activities on the Reynolda estate included swimming, golf, horseback riding and tennis. I imagine hunting and shooting was probably regular activities, as well. As a child, I knew an elderly woman who said she attended a party at Reynolda and on that particularly raucous night the “blind” for shooting deer on the front lawn was an upstairs window. Who knows if it's true, but it's a great story. It was after another rowdy party at Reynolda that Smith met his untimely death. Player Number 1: Daredevil Smith When viewing the Reynolda House exhibit about the murder–complete with news articles, artifacts and historic pictures–its clear Libby and Smith were forces of nature. Maybe tragedy was bound to happen after two such people collide. Zachary "Smith" Reynolds in January 1931, just six months before his death by a gunshot wound to the head. Photo from Wikimedia Commons. As explained in the exhibit, Smith was nicknamed “Camel” as a child since he was a year old when the cigarette brand was launched. The moniker didn’t last long and was replaced with the more apt “Daredevil Smith.” The young Reynolds wasn’t interested in school. Adventure and flying filled his days. Smith earned a pilot’s license at 16 and was the youngest transport pilot in the nation. He flew all over the world as he logged a 17,000 mile solo-trip from England to China in 1931. Smith mastered flying stunts, aeronautical mechanics and shared his aviation passion with his older brother, Dick. The brothers were well known among aviators–even loaning planes to the likes of Amelia Earhart and Charles Lindbergh. A pioneer in aviation, the city’s small airport is named in Smith’s honor. Player Number 2: The Dark Purple Menace Elizabeth “Libby” Holman was born in Cincinnati, Ohio, into a well-off family. “Born into” is the key phrase. The year of her birth, the family lost its fortune when her paternal uncle embezzled a $1 million from the family stockbroker business. Her family struggled, but Libby, an ambitious and adventurous woman, rose above it. Libby Holman in a University of Cincinnati yearbook photo. From the Cincinnati Public Library (chpl.org). She eventually was cast in the chorus of a popular Broadway show and began to rub elbows with New York’s rich and famous. The city was Libby’s playground in the 1920s and '30s. She wasn’t a conventional beauty, but she had that special something that drew others in. With her deep, throaty voice, Libby appeared in numerous hit Broadway shows and was an ideal torch singer known for songs such as “ Moanin’ Low ” and “ Body and Soul .” Libby, credited as the first woman to wear a strapless evening gown, had a dramatic and seductive presence on stage. Theater critic Brooks Atkinson referred to her persona as a “dark purple menace.” Libby Holman portrait by Sarony studio to promote the 1928 musical "Rainbow" next to a 2023 reproduction of her dress by Jenna Sais Quois Designs. Holman is credited as the first woman to wear a strapless evening gown. Black and white photo provided to Reynolda House exhibit by Boston University's Howard Gotlieb Archieval Research Center. The Ways and Wanes of the Heart Libby was actually in a tumultuous lover/friend relationship with Lousia d'Andelot Carpenter Jenny, heir to the Du Pont fortune, when she first met Smith. He watched one of Libby's stage performances and his infatuation was instant. For Libby, cupid’s arrow didn’t strike just yet. Smith chased after Libby relentlessly, but in addition to Louisa, he had another obstacle in his way – his wife. Smith was married to Anne Ludlow Cannon, whose family founded the Cannon Mills textile empire, also in N.C. The two had married hastily as teenagers on Nov. 16, 1929. Although Smith had pursued Anne, it seems the wedding was at her father’s insistence. “The wedding of Anne Cannon and Smith Reynolds was celebrated at midnight in York, S.C. There were no witnesses except the bride’s father and a policeman,” was how a 1931 "Time" article described the nuptials after Smith’s death. Nine months after the wedding, the couple’s daughter, also named Anne, was born in August of 1930. Smith and Anne’s union was brief and unhappy. With his sights now set on Libby, Smith flew Anne to Reno where she resided for six weeks to establish residency in order to get a quickie divorce. At the time, Nevada had loose divorce laws, so women, especially those of means, stayed on glorified ranches, enjoying horseback riding and other pursuits, until their divorce was official. For Anne and Smith, that date was Nov. 23, 1931. Six days later, Smith quietly married Libby. Seven months later Smith was dead. The Longest Night The Reynolda House exhibit includes a film noir-style short film, “The Longest Night,” that outlines in detail the events surrounding Smith's death. Along with the film is a map of the crime scene "sketched" on the floor and onto the wall. The longest night happened on July 6, 1932. Libby and Smith were hosting a birthday party for a friend. From the main house to the boat house, the guests drank, enjoyed canoeing on the lake and partied all day. Libby had one too many drinks and Smith was annoyed. Among the guests were Albert “Ab” Walker, Smith’s childhood best friend turned personal secretary. Supposedly, a drunken Libby leaned into Ab while standing at the boathouse porch railing. Some party-goers believed she kissed him, others weren’t sure. The party wrapped up and the only remaining guests were Ab and Libby’s Broadway friend, actress Blanche Yurka. Smith and his still-drunk wife retired to the sleeping porch of the main bedroom. The two argued. Then, the house was quiet, but not for long. Around midnight, a night watchman heard a muffled gunshot. Libby awoke her guests with screams. Hysterical, Libby said she woke up and saw Smith standing over her with a gun to his head and then – boom – he shot himself. The group rushed Smith to the nearby hospital where he died four hours later. He was only 20 years-old. The coroner declared it a suicide. Death of Zachary "Smith" Reynolds Shocks the Nation For a little while the matter of Smith’s death was closed. But, the tide slowly turned. The evidence didn’t add up and law enforcement officials declared Smith was killed by a “person or persons unknown.” Of the twists and turns in the case, it was revealed Libby was pregnant, which was considered a possible motive for murder. Smith wouldn’t inherit his fortune – almost $30 million – until he turned 28, but his heir would gain all the riches upon his death no matter his age when he died. To put in context, $30 million then is the equivalent of over $500 million today. The narrator for a Hearst Metrotone newsreel in the exhibit declared that Smith’s death “shocked the nation'' and Libby was “cast in the most dramatic role of her life.” Assistant Solicitor McMichael appeared on camera to assure the curious public of two things: “truth be known” and “justice done.” In early August charges came. “LIBBY HOLMAN AND WALKER INDICTED FOR MURDER” blazoned across the top of the "New York Daily News" and publications throughout the country. Libby claimed she had no memory of what happened other than waking up just before seeing Smith shoot himself. She also claimed Smith had brandished guns and threatened to hurt himself before. Others who had known Smith brought up similar dramatic claims. The crime scene is mapped out in the exhibit and it's easy to see how a suicide didn’t make sense to law enforcement, especially the bullet’s trajectory. Smith, according to Libby, was standing, but the downward path of the bullet also cut a hole in six feet above the floor into a screen door. Other puzzling facts included smeared blood on the bathroom door. Did someone try to clean up? And, Smith was left-handed, but the bullet entered his right temple. That seemed odd, too. Other questions included the whereabouts of the gun and the nature of Libby and Ab’s relationship. Were they in cahoots? Was Ab the real father of the baby? It was juicy stuff and the public couldn’t get enough. Shocking Reversal of Fortune Libby appeared at her bond hearing looking forlorn and shrouded in black including a veil over her face. Things didn’t look good for Ab and Libby. Libby Holman at her bond hearing in August of 1932 after being indicted for her husband's murder. Photo from Wikimedia Commons. Libby’s father, an attorney, proclaimed his daughter’s innocence. It’s a “dastardly frame-up,” he said according to a “Time” article about the indictment. Some speculated Libby was targeted for her wild, theater lifestyle and Jewish heritage. Then, in the most stunning turn of events, Smith’s uncle and guardian, William Reynolds, requested the entire matter be dropped. Even though the family did not believe Smith killed himself, William cited the lack of conclusive evidence for a conviction and the fact the ongoing scandal had dragged on long enough. Indeed, charges were dropped. It’s an enduring mystery. No one will ever know if Smith died by murder, accident or suicide. Adding to the ongoing intrigue was gossip that Ab supposedly said he would take to the grave what he knew about the night of the murder. Ab waffled between claims he never said those words or that he was misunderstood. The Aftermath Six months after Smith’s death, Libby gave birth to Christopher Smith “Topper” Reynolds. There was much legal wrangling about Smith’s inheritance, especially considering he had two heirs. In 1936, the issue was settled with $7 million going to Topper and $10 million to his daughter Anne, according to the “New York Times," which covered the legal matter with great focus. Libby Holman and son Christopher "Topper" Reynolds, 1933. Photo from Wikimedia Commons. Tragedy followed Libby for the rest of her life. Failed relationships with both men and women and more death, including Topper's in a mountain climbing accident in 1950 at age 17. Libby married two more times and was in a 10-year relationship with the Hollywood acting legend Montgomery Clift. She returned to her singing career in the 1950s and '60s and was actively involved in political causes, including being an early supporter of Martin Luther King, Jr. Libby committed suicide by carbon monoxide poisoning in 1971. She was survived by her sons, Timmy and Tommy, whom she adopted in the late 1940s. Under his siblings’ direction, Smith’s portion of his father’s inheritance was used to create the Z. Smith Reynolds Foundation. The non-profit has poured millions of dollars into improving the lives of North Carolinians since its inception 80 years ago. No surprise, where there's scandal, there’s Hollywood waiting to tell the story. Two movies came out rather quickly after the death of Zachary "Smith" Reynolds: “Sing, Sinner, Sing” (1933) and “Reckless” (1935). Robert Wilder’s 1946 novel, “Written on the Wind,” was also loosely based on Smith’s death and adapted into a 1956 movie of the same name starring Lauren Becall, Dorothy Malone and Rock Hudson. See The Exhibit And How the Reynolds Family Lived Although much about Libby and Smith is discussed here, there is so much more to learn and see in the exhibit and throughout Reynolda House . The home is listed on the National Registry of Historic Places and worth a visit on its own. From the well-appointed main hall to the study where President Truman took a short nap, Reynolda House provides a glimpse into another era. Reynolda House Museum of American Art, Winston-Salem, N.C. Admission is $18 per person and includes the exhibit and the house (see the sleeping porch!). Free admission is offered to select groups, such as children under the age of 18, students and military personnel with ID. For more information about a day trip to Reynolda House and other entertaining activities at the Reynolda estate, click the "Things to do in Winston-Salem" tag and check out, "Visit Historic Reynolda for a Day of Retail Therapy, Delicious Food and Recreation."

For almost 50 years, the Center for Puppetry Arts  — a small but mighty arts center in midtown Atlanta — has delighted the young and young at heart. The center claims it will make people rethink everything they know about puppets and puppeteers, and it does.  Puppetry is simultaneously an ancient art found throughout the world and an art form that remains current and culturally relevant. Puppetry is a vehicle to facilitate laughter, education, and advocacy. It's also helped advance performance technology, especially in film and television.  The center opened its doors in 1978 and has remained a vibrant cultural center ever since. Famous puppeteer Jim Henson was on hand for the center's grand opening ceremony. The event was exciting news in hot ‘Lanta and the center remains a must-see for anyone in town who appreciates art, creativity, history and the entertainment industry. Yes, children will love this place, but don’t assume it’s just for them. In fact, during a recent visit the number of adults walking through the exhibit sans children far exceeded those who came with kiddos in tow.  The main highlight of the center are its three distinct exhibit spaces. Within The Worlds of Puppetry Galleries are two sections — the Jim Henson Gallery and the Global Gallery. The third area is for special, rotating exhibits, which currently highlights Henson's TV show "Fraggle Rock." The Jim Henson Gallery The Henson exhibit follows his evolution from a young visual artist into an accomplished screenwriter, filmmaker and influential entertainment icon.  Henson’s career history is thoughtfully presented and a visual delight with exhibits on "Sesame Street," "The Muppet Show," "The Dark Crystal," commercial work and much more. Plus, you get a behind the scenes look at how different kinds of puppets and creatures were made and operated.  As explained by the exhibit, a giant leap forward in this area was filming a full-bodied shot of Kermit riding a bicycle in the 1979 film, "The Muppet Movie." This feat was a huge departure from partial screenshots of Kermit with Henson operating everything from below. The special effect was made possible by an invisible system of wires operated off screen. Puppetry advancements evolved from there, leading to remote controlled motors, cable systems, animatronics, and more — amazing work by creative and innovative teams. The 1982 movie, "Dark Crystal," was a big milestone for Henson. It was the first ever, live-action film to feature no human actors. Instead, every character was a "creature" (a term Henson preferred over puppet in this case) with latex skin, glass eyes and operated by using a combination of traditional puppetry and groundbreaking modern techniques. All of the Henson's memorable puppets are featured in the exhibit including, Big Bird, Miss Piggy, Kermit (of course!), Rowlf the Dog, Fraggles, Pigs in Space, Gonzo, Emmet Otter and so much more.  This gallery also includes a mock television studio for an opportunity to experience first hand how puppeteers perform for a camera.  The Global Gallery This unique collection presents the history of puppetry in different regions around the world, such as France, Spain, Japan, Africa and the Americas . The gallery does an amazing job showing the true global reach of this art form  The exhibits are visually stunning and informative. For instance, in Vietnam the rice harvest is celebrated with a puppet show performed on water. Puppeteers stand in waist deep water hidden behind a screen and use wires to control all the action of wooden figures that stay afloat thanks to cork.  Among the other highlights are the shadow puppets of China; the protype mask puppets for Broadway’s The Lion King; England's Punch and Judy; and Japan’s Bunraku theater that uses sanninzukai (a team of three puppeteers clad in black to operate one puppet). Hollywood is well represented running the gamut from marionettes popular on American television in the 1950s to Chuckie of horror movie fame. Plus, stop animation puppets such as Gumby and the Corpse Bride. Special Exhibition Gallery The current special exhibit is an endearing look at "Fraggle Rock." If you ever watched the show, you'll soon be humming the theme song, "Down in Fraggle Rock," which is also the exhibit's title. The show premiered in 1980 and ran for five years on HBO and in countries around the world.  Gobo and friends from "Fraggle Rock" The show followed a group of loveable creatures called Fraggles that lived underground in a cave system alongside Doozers, tiny animals that spend their days constructing edible structures that were a favorite Fraggle snack. Giant Gorgs lived above ground and were always trying to keep Fraggles out of their garden.  Although "Fraggle Rock" went off the air in 1987, they didn’t stay away long. For instance, they appeared in a video for the music group Ben Folds Five; Hulu streamed the animated show, "Doozers," in 2014; and Apple TV+ ran a series of shorts called "Fraggle Rock: Rock On!" featuring celebrity guests. The association with Apple TV+ led to a full reboot of the show called "Fraggle Rock: Back to the Rock" in 2022. A Doozer from the "Fraggle Rock" t.v. show The Fraggle exhibit explores all of this history and features the show’s popular characters, including Wembley, Gobo, Junior Gorg and more. Other Center Highlights In addition to the galleries, the center also features spaces for theater performances, classroom activities, and special events. Plus, there is a gift shop, indoor coloring area and an outdoor playground.  There are some hands-on activities in the exhibits, such as pulling levers to move marionettes and being a puppeteer in the mock studio set-up, but, overall, it’s not that kind of museum. If interested, there is a scavenger hunt connected to the galleries – don’t be fooled, though, some were tough to find! If you do find them all, a small prize awaits you in the gift shop.        Center For Puppetry Arts: Hidden Gem for All Ages The Center for Puppetry Arts is a small, hidden gem nestled within a big and vibrant city. The center truly offers something to delight all ages, especially since Henson’s work spans generations. It’s certainly delightful and heartwarming to visit Kermit, Bert, Ernie, Grover and so many other childhood friends.  Overall, the center’s galleries are filled with colorful, multimedia exhibits that are high-quality in design and include well-written descriptions and histories. Everything is professionally executed and easy to navigate. If you plan to visit, be sure to check out the performance schedule, too.  The center is in a quieter part of midtown with a little less hustle and bustle. It’s easy to find and there’s free parking onsite.  For more information visit, the center's website .

In my family, we’re movie people. Love movies – all kinds. We love them on the big screen, the home screen and the independent screen. If you enjoy movies, then you know there is nothing like sitting in a dark theater, popcorn in hand and going on a collective journey with fellow movie-goers. Movies are funnier, scarier and more heart-breaking when watched in a shared experience. In a theater, you can’t pause the film to check the pot roast or take out the trash. Your attention is focused. For those 120 plus minutes, your brain and emotions are only tied to what’s on the screen. As much as I love watching movies at a big theater, the small, independent movie houses hold a special place in my heart. The viewing experience is just as compelling and often more so as many of these small theaters are housed in unique, historic venues. Plus, independent theaters are often smaller, so the collective emotional journey is amplified. If you’re unfamiliar, independent movie theaters are different from their big-screen cousins. They’re the quirky, fun side of the family. They screen films ranging from classics and new releases (after their cineplex runs) to documentaries and low-budget indie films. Often, films that are first screened at small theaters gain momentum and acclaim, which then leads to them making the rounds among the cineplexes and the awards circuit. Independent theaters don’t have to follow any rules. They can host comedy nights, film festivals, concerts, game nights, dinner/movie nights, and so many more film-related events. The creative programming is only limited by the imagination of those running the theaters. For these venues, a more fitting, although boring, title is probably "cultural, multi-use facility" than movie theater considering the variety of their activities. For our family, one such activity was watching National Lampoon’s "Christmas Vacation" at The Cary Theater in Cary, N.C., in conjunction with an ugly sweater contest. I voted for the person who came dressed as the movie's Cousin Eddie character. The whole outfit is like an ugly sweater, after all. The Cary is a member of Art House Convergence (AHC), an organization dedicated to the independent movie theater community. Sponsored by the Sundance Institute , the AHC serves approximately 2,000 member theaters across North America and Western Europe. As part of its support, the AHC regularly collects survey-based research. Among their findings, community-based, independent movie theaters are viewed as: • enhancing the cultural life of a community. • a source of community pride. • inspiring and encouraging artistic expression. • adding to a community’s economic vitality. Plus, these theaters help preserve a community's heritage because they are often housed in renovated, historic buildings and considered landmarks. As more people are watching streaming services from home, the AHC and its members are continuing to find ways to attract audiences, especially from all walks of life and younger demographics. Prior to the pandemic – the last survey I found online – independent movie theaters were drawing in more millennials. Today, my Gen Z son, Jack, and I attended a screening of short films at The Cary during its annual Beyond Film Festival . Afterwards, filmmakers answered questions and then the discussions continued in the lobby. People didn’t rush out to their cars and head home. People hung around since the energy was up and the lively conversations flowed. It was the same friendliness I experience every time I visit The Cary. Jack and I went around the corner for lunch and realized all the people sitting at the tables near us were talking and laughing about the shorts we just watched. "Love and Laughter" was the theme of the screening, so there was lots of humor to revisit. This is what I love and among the reasons my crush on independent movie theaters continues. They bring people together. All the reasons found in the AHC research ring true. If your town is home to an indie movie theater, give it a chance. Look at the programming and odds are you’ll find something you like. I bet you’ll develop a crush, too.

I just thought Barbie was a fun toy. A pretty doll with cute clothes. A vehicle for my imagination. Feminist icon? No. Future political lighting rod? No, neither of those things. I was only 6 years old. My little-girl self was only concerned with Barbie’s adventures. “Where will she go in her purple Dream Vette today?” was my first thought on Saturday mornings. I built elaborate worlds for Barbie and her friends using my books and other toys. I spent hours scooting across the carpet on my hands and knees while I rolled the car along or “walked” Barbie into whatever my story called for–a friend’s house, the pet store, a restaurant, the White House... The possibilities were limitless! Barbie even traveled to the moon courtesy of my brother’s GI Joe lunar capsule. That was fun until he threw the capsule into the deep end of our pool and I thought for sure Barbie was doomed. She handled it like a pro––never stopped smiling. Barbie equaled hours of entertainment for me. I never thought about what she represented or compared myself to her. I had a Jaime Somers Bionic Woman doll, too. I was a regular viewer of this 1970s hit TV show about a woman transformed with bionic powers. Jaime could jump over walls, uproot trees and hear whispers from great distances. The doll’s bionic hearing was “activated” when her head was turned and it clicked. I never expected to hear my classmates talking across the playground if I turned my head the same way. That was a toy after all. Now, I’m all grown up and don’t play with dolls, but I still remember the fun I had with them. It’s with this appreciation I went to see the 2023 “Barbie” movie directed by Greta Gerwig. I heard the rumblings of “politicization” before the movie even premiered. I guess that’s no surprise. Social commentary about the Barbie doll has popped up in the news for as long as I can remember. Does Barbie make little girls feel bad about themselves? Is Barbie bad for women? And, with the movie’s release, came statements of male bashing, hyper feminism and gender roles. I blocked out the pundit talk. I wanted to see Barbie’s dreamy world. Would it match what I imagined? Or, maybe even better! A few days after “Barbie” premiered, my friend and fellow movie lover, Jen, met me at a local Regal Cinema. Jen has a great sense of humor and showed up with heart-shaped, pink glasses for us to wear. As the lights dimmed and the movie started, our only expectation was fun and we had it. We laughed out loud along with everyone else in the crowded theater. There’s no way everyone there shared the same political belief system, but we all laughed at the same on-screen moments. In the story, Stereotypical Barbie (Margo Robbie) has a crisis of self. She’s feeling down and doesn’t know why. Things in her perfect, plastic, non-real life are going haywire. She’s walking flat footed for goodness sake! The answer may lie with Gloria (America Ferrera), the little girl who played with Barbie in the real world. So, Barbie and Ken (Ryan Gosling), slip the boundaries of Barbie Land and enter modern-day Los Angeles in search of Gloria. The experience is eye-opening. Gloria is now all grown up and has problems of her own. To Barbie’s dismay, things aren’t perfect for women in the real world. She left Barbie Land, a world of innocence and platonic relationships, to experience sexism for the first time, a realization punctuated by a man who smacks her bottom when passing by. Ken is exposed to stereotypical masculine images, especially those manufactured in Hollywood like a pumped up Sylvester Stallone. And then there are the horses––lots of images of strong horses running. In this moment, Ken discovers the patriarchy and eventually takes his knowledge back to Barbie Land where trouble ensues. Avoiding spoilers, let’s just say with conversation, honesty, musical numbers and soul searching everything works out. Along with Gerwig’s skilled direction and the actors’ performances, the movie is entertaining, smart and funny. Visually, the film is a cotton-candy delight. Barbie Land is an explosion of pinks and soft colors. The production and set design–everything from the dreamhouses to the fashion–truly looks like a toy land come to life. The use of flat sets and imagery in the travel scenes along with dolphins that look like paper cutouts adds to the movies' fantasy quality. Gerwig wrote "Barbie" along with her partner, Noah Baumbach, a successful filmmaker in his own right. The pair were tasked with writing a screenplay about a doll. A DOLL. Every story needs an arch and conflict so it makes sense to tap into the conversations that have swirled around Barbie for decades. What else could they write about? Barbie meets aliens. Barbie sees a podiatrist. Barbie searches for the Arch of the Covenant. I mean really, the writer’s choices make sense and the result is a clever satire. Gerwig said her goal was to make a fun, playful movie about being human even though the characters are dolls. In a Warner Brothers’ short about the movie, Gerwig said, “I feel like we’ve always used dolls as a way to kind of understand ourselves through play. And, I thought, well, wouldn’t it be wonderful if she was allowed to be like us and to be flawed and messy and not have to be perfectly perfect.” Gerwig and Baumbach’s story takes Barbie through a hero’s journey, a classic structure for telling stories in books and movies. The “Harry Potter” and “Star Wars” movies, for instance, follow a hero’s journey format. It works because it's relatable. As audience members, we're pulled in and along for ride. We root for the characters and see parts of ourselves in them. Everyday, regular people don’t slay beasts or destroy the death star, but we empathize with the emotional struggle of Harry and Luke Skywalker. And, like Ken and Barbie, regular people question life choices, too. "Barbie" is a delightful, funny story that's also visually entertaining. I don’t think the movie is meant to be taken too seriously even though serious topics come up. Just look at Ken, he declares his disinterest in the patriarchy once he realizes it's not all about horses. Come on, that’s funny. Humor helps us digest difficult topics with a spoonful of sugar. Stand-up comics, for instance, are sharp, often biting observers of truth and we take in their insights a little easier because it comes with giggles and laughs. Humor gives us permission to laugh at ourselves and society while acknowledging our shortcomings and problems. Sometimes humor is the best way to start a difficult conversation. Certainly, nothing is ever solved when everyone is angry. If you go see "Barbie" armed with pundit soundbites in your head and ready to be offended, then you probably will be. I didn’t and wasn't. Ticket sales have exceeded 1 billion, so it's safe to say most people weren’t either. I never believed I could have bionic powers like Jaime Somers. I never wondered why Barbie had an impossibly small waist and lacked private parts down below. I never expected the "Barbie" movie to be a deep allegory. Having seen the movie, I still don't characterize it that way even though it touches on important issues worth addressing. It's okay for a movie to just entertain us. It's also okay for a movie to serve as a jumping off place for deeper discussions. That's the beauty of the arts. We all come from different worldviews and perspectives, so our interpretations will differ, too. The "Barbie" movie is a satirical delight. It's a well-crafted, humorous movie that clearly resonates with audiences as seen by its massive box office returns and all the surround debate and conversation. For me, the movie's take-away is to figure out the life you want to lead. And, most importantly, bravely be yourself. Life isn’t perfect, but make yours genuine and real––flat feet and all.

Breasts. Boobs. Titties. Ta-Tas. I can go on, but hopefully that gets any shyness out of the way. Breasts are everywhere. They’re beautiful, practical and sometimes annoying and kind of silly, especially when jogging. Breasts are also at risk for developing cancer. But, thankfully, we have modern medicine and tools to help catch breast cancer early and beat it. When it comes to women with dense breasts, though, things get confusing. A debate is swirling if dense-breast care should routinely include an ultrasound screening along with a mammogram. Why? Because dense breasts have more fibrous and glandular tissues than fatty tissue, which makes detecting cancer with a mammogram more difficult. Even with 3-D mammograms–the best type available–dense breast tissue can obscure cancer. In fact, mammograms alone miss approximately one-third of breast cancer in women with dense breasts, according to The Brem Foundation , a non-profit organization dedicated to breast cancer education and early detection. Trying to wade through the complex breast-density debate, is confusing for women. It has been for me. A good place to start is with these questions: • What are dense breasts? • How do you find out if you have dense breasts? • How does breast density affects imaging? Dense Breasts and Imaging Ultrasounds are typically used as a secondary, follow-up step when something suspicious is seen on a mammogram. For women with dense breasts, there’s a push among health advocates for ultrasounds to be a first-step screening along with mammograms. Cancer detection in dense breasts improves by over 55 % when screened with both mammography and ultrasound, according to Brem. And why is that? Consider these facts about imagining and breasts gathered from Brem, Johns Hopkins Medicine and the Memorial Sloan Kettering Cancer Center: Breasts consist of three types of tissue: 1. Glandular tissue (lobes and ducts used in milk production) 2. Fibrous tissue (also called connective or supportive tissue) 3. Fatty tissue. All non-fatty tissue is called fibroglandular tissue. In a mammogram: 1. Fatty tissue appears clear . 2. Fibroglandular tissue and anything else present in a breast, such as calcifications and cancer, appear white . 3. In a fatty-tissue breast, a white spot of potential cancer is more noticeable. 4. In a dense breast, a white spot of cancer can blend in and be difficult to spot. In an ultrasound: 1. Everything appears white except a potential spot of cancer. 2. Cancer stands out as black or dark gray and is easier to see. With all these facts, someone might think an ultrasound alone is a good screening choice– wrong. An ultrasound is NOT a substitute for a mammogram, but rather a supplemental tool. Mammograms are the gold standard in detection and ultrasounds are not perfect. For example, ultrasounds, unlike mammograms, can miss tiny calcium deposits, which are an early sign of cancer. And, ultrasound results are less accurate on women with very large breasts. How to Know if You Have Dense Breasts Breast density can only be determined through a mammogram, not by touch and feel. The FDA updated it regulations in March 2023 to require mammography facilities to inform women of their breast density level. Some states already had similar regulations in place, but by Sept. 2024 all states must comply. Results will include a woman’s Breast Imaging Reporting and Data System (BI-RADS) density classification (there is also a BI-RADS 0-6 numbering system that's used to describe findings on a mammogram). Developed by the American College of Radiology, the four BI-RADS density categories use letters and go from least to most dense as follows: A – Almost all fatty tissue B – Scattered areas of dense fibroglandular breast tissue C – More areas of glandular and connective tissue (described as heterogeneously dense) D – Extremely dense The new mammogram reports are thoroughly explained on the American Cancer Society’s website . The reports will include: 1. A BI-RADS breast composition classification 2. Whether a woman’s breasts are either “dense” or “not dense.” 3. For those with breasts classified “dense,” the report will state: “Dense tissue makes it harder to find breast cancer on a mammogram and also raises the risk of developing breast cancer. Your breast tissue is dense. In some people with dense tissue, other imaging tests in addition to a mammogram may help find cancers. Talk to your healthcare provider about breast density, risks for breast cancer, and your individual situation.” What’s the Dense Breasts Debate All About? There is consensus in the medical community, including the American Cancer Society, about the following: • Dense breasts are common • Women with dense breasts are at a higher risk of developing breast cancer • Cancer is harder to spot in dense breast tissue • Ultrasounds along with mammograms can catch cancer earlier The debate centers on questions, such as cost effectiveness, cost versus survival benefit, and unnecessary subsequent testing. There is also a call for more research to assess these questions further. On the American Cancer Society’s website, the organization acknowledges the benefits of extra imaging, such as ultrasounds and MRIs (magnetic resonance imaging), especially in high-risk cases. Also, there's concern that for women with dense breasts and no signs and symptoms of cancer an ultrasound screening could “show findings that are not cancer” and “lead to more tests and unnecessary biopsies” that aren't covered by insurance. The question of dense breasts and additional screening is currently under review by the U.S. Preventive Services Task Force (USPSTF ), an independent group of health experts that make “evidence-based recommendations” about preventive services. The USPSTF has the following included in a draft recommendation statement dated May 2023 on its website: "Nearly half of all women have dense breasts, which increases their risk for breast cancer and means that mammograms do not work as well for them. Women are generally told by their clinician that they have dense breasts after they’ve had a mammogram. These women deserve to know whether and how additional screening might help them stay healthy. Unfortunately, there is not yet enough evidence for the Task Force to recommend for or against additional screening with breast ultrasound or MRI. We are urgently calling for more research on whether and how additional screening might help women with dense breasts find cancers earlier." When I first read this statement, the words “not yet enough evidence” jumped out at me. What also jumped out, was the large “in progress” banner that stretched across a corner of the website page about the draft recommendation. This topic isn’t new. For example, the first USPTF draft recommendation I found was dated 2016. And, the language was basically the same as the current statement. So, there's still not enough evidence since 2016? The USPTF is just one group looking at the issue. What about all the other scientists, researchers and health professionals out there? When will the medical community reach a conclusion? And, meanwhile, how many women with dense breasts are missing the early-detection window? Update! As of April 30, 2024, the USPTF published its " Final Recommendation Statement " on breast cancer screening (Note the sections in bold): "Nearly half of all women have dense breasts, which increases their risk for breast cancer and means that mammograms may not work as well for them . Women are generally told that they have dense breasts after they’ve had a mammogram. These women deserve to know whether and how additional screening might help them stay healthy. Unfortunately, there is not yet enough evidence for the Task Force to recommend for or against additional screening with breast ultrasound or MRI. We are urgently calling for more research on whether and how additional screening might help women with dense breasts find cancers earlier. It is important to note that all women, including those with dense breasts, should be screened starting at age 40. While we call for more research, these women should talk to their clinicians about their options for follow-up testing so that they can get the care that’s right for them." I stand by my previous statements. How is there still not enough evidence? Extra Imaging for Dense Breasts Can Hinge on Cost A big factor in the dense-breasts care debate is the medical bill. Specifically, who pays it? Having a routine, preventative breast ultrasound is not covered by most insurance companies and it's an expensive out-of-pocket cost. To combat this, U.S. Representatives Rosa DeLauro and Brain Fitzpatrick introduced the bi-partisan Find It Early Act in December 2022 and then again in May 2023. The bill would require insurance plans to cover additional screening and diagnostic imaging, such as ultrasounds and MRIs, for women with dense breasts or at a greater risk for cancer. High-profile journalist Katie Couric, who revealed she has dense breasts, is putting her star power behind the bill after her own breast cancer diagnosis. “Breast cancer is treatable, and 99 % of women who are diagnosed early survive," said Couric when the bill was introduced. "That is why everyone needs to get screened. The Find It Early Act is a critical step toward improving access to these life-saving screenings." Couric’s isn’t exaggerating. Of women diagnosed with early-stage cancer that has not spread beyond the breasts, 99 % survive it, according to data from the Office of Women's Healt h with the U.S. Department of Health and Human Services. What Can Women with Dense Breasts Do Now? Numerous organizations, including the National Cancer Institute and the American Cancer Society, squarely place only BI-RADS categories C and D in the dense breast column. I pulled out my mammogram reports for the past several years and found it frustrating. I was classified with a BI-RAD C one time and then a B several subsequent times. Plus, one report included a long paragraph stating I "may" have dense breasts. Huh? My point is that it’s all a little mind numbing and confusing. There are so many studies and varying opinions. And, breast density can change with age and other factors. What are women with dense breasts or "may" have dense breasts supposed to do? I’m not a medical professional, just a woman who wants to understand the best choices for my health. I’m learning just like everyone else. Here's what I do know. We all have a unique combination of factors that go along with a BI-RADS classification, so what’s right for one of us may differ greatly from another. We have to advocate for ourselves, talk to our doctors and stay informed. The breast density-care debate is certainly going to continue in the medical and political community. While they’re still debating, here’s some suggestions of what women with dense breasts can do in the meantime: • Regularly have a mammogram without fail. • Perform regular self-breast exams. • Choose a 3-D mammogram, which is better for dense breasts since it provides a fuller picture of the entire breast than a traditional 2-D mammogram. • Check with your insurance company about coverage since 3-D mammograms cost more and the difference may be out-of-pocket. • Keep your annual mammogram reports with your breast density information. • Know your family medical history and any potential risk factors for cancer. • Talk to your doctor to assess your risk and if you should seek additional imaging. • Check with your health insurance company to see if you have coverage for additional imaging based on your breast density. • Check with an imaging facility and find out the costs of an ultrasound screening. • Write your legislators in support of the Find It Early Act. • Exercise, get enough sleep and eat a balanced diet. • ALWAYS advocate for yourself! For more information about dense breasts, women's health and breast cancer, including symptoms, visit these sites: Susan G. Koman DenseBreast-Info American Cancer Society Memorial Sloan Kettering Cancer Center The Brem Foundation Office of Women's Health, U.S. Department of Health and Human Services *Breast cancer ribbon image from Freepick.com

Mashed potatoes, rolls, gravy…Christmas meals are a feast of carbs. It’s all tasty, but it’s heavy. For something that’s lighter, delicious and looks beautiful on the table, wow your guests with a tomato, mozzarella and basil "wreath" garnished with a raisin-herb marinade.  With its Mediterranean flavors and Christmas colors, this dish is the perfect complement to a buffet table or holiday meal. Plus, it’s simple and quick to make with the added health benefits of olive oil, balsamic vinegar and tomatoes. I discovered this recipe on the back of a Sun-Maid raisin box at least 15 years ago. I’ve been making it from memory ever since and always to rave reviews. Enjoy!   Ingredients ¾ cup of raisins 4 tablespoons of olive oil  3 tablespoons of balsamic vinegar ½ teaspoon dried oregano ½ teaspoon dried, crushed rosemary ½ teaspoon dried thyme ½ teaspoon salt 1 pound fresh mozzarella cut into ¼” slices or a package of pre-cut mozzarella 3 medium tomatoes cut into ¼” slices and halved  Small bunch or container of fresh basil Cracked black pepper to taste Directions 1.Combine raisins, olive oil, balsamic vinegar, dried herbs and salt in a microwavable bowl and stir. 2. Microwave the marinade on high for 30 seconds to warm. Stir again and place in the refrigerator to cool for at least 30 mins. Marinade can be made ahead and refrigerated overnight for an even richer taste. 3. Wash and gently pat dry the basil. Then snip or pull off individual leaves.  4. On a round serving dish with a raised edge, arrange the tomatoes, cheese and basil leaves in an overlapping circular pattern keeping the center open so it forms a “wreath.” To spotlight the leaves’ green color, tuck two to three basil leaves under the tomato slices and on top of the cheese slices.  5. Spoon the marinade evenly over the wreath and season with cracked black pepper. 6. Serve your edible tomato and cheese wreath immediately and watch it disappear fast. Happy holidays!

In 1952, the Scottish people were so outraged over a monogram they tarred public mailboxes and planted fake bombs in protest. That seems an extreme reaction over some silly letters, but in fact, those letters carry deep meaning and are steeped in history. The focus of their ire was the royal cipher (or cypher in British English) of the newly crowned Queen Elizabeth II, which they saw as an affront because it disregarded their beloved Mary, Queen of Scots. Royal ciphers are basically special monograms for a reigning sovereign. The use of ciphers traces back to Queen Victoria. They are used to adorn buildings, gates and other items in a sovereign's honor, as well as official items during his or her reign such as stamps and coins. Royal ciphers are designed by the College of Arms for the incoming sovereign, who selects the final design among several choices. For King Charles III, the intersecting initials "C" and "R" with the roman numeral three inside the "R" form his  cipher along with an image of the crown. The “R” stands for either Rex or Regina, the Latin words for King and Queen respectively. For example, the new king's “CR” means “Charles Rex” and his mother was “ER” for Elizabeth Regina. King Charles III actually has two official royal ciphers – one for England and one for Scotland. The two are exactly the same except the Scottish version includes that country's crown. Surely this choice traces back to his mother’s cipher controversy in 1952. The problem for his mother had to do with her being named the second, so her cipher was “EIIR.” That roman numeral caused a big fuss. Scots Up In Arms The first Queen Elizabeth ruled from 1558-1603, but was only crowned Queen of England and Wales, not Scotland. Elizabeth's cousin, Mary, was named Scotland’s queen in 1542 when she was only 6 days old, according to the Royal Collection Trust . Interestingly, it was Mary's son, James, who united Scotland and England in rule. James was already King of Scotland when he was crowned King of England after Elizabeth I died in 1603. She was famously called "The Virgin Queen" and had no heirs. Mary and Elizabeth had a long and tangled relationship, especially since Mary had legitimate claims to the English throne. With this history in perspective, it makes more sense why the Scots were upset when the cipher for Queen Elizabeth II appeared on the country's post boxes (mailboxes). According to the Postal Museum , a letter by a group calling themselves “Scottish Patriots,” was sent to the chief of Scotland’s police “demanding that steps be taken against the Postmaster General for their ‘historical inaccuracy' in using the cypher EIIR" Protests escalated from damaging post box ciphers with hammers to planting bombs. Even though the bombs were designed not to detonate, the message was clear. Prime Minister Winston Churchill got involved claiming England would not back down (it’s well known he was a big royalist and a fan of the young, new queen). Post boxes were destroyed and repaired again and again. Threatening notes and actions continued for months until finally a change was made. Instead of "EIIR" a single image of the Crown of St. Andrew, which is part of the Scottish Crown Jewels, was chosen – with no accompanying initials – as the new cipher for official mailboxes and vehicles in Scotland. Hunting Ciphers When visiting London, finding ciphers and figuring out their meaning and history is a fun game while enjoying the big tourist sites. London’s Postal Museum calls this “cypher spotting.” From the huge and obvious to the small and simple, the ciphers are artful and cleverly integrated into their surrounding environment. We were in the United Kingdom just after King Charles III’s coronation. As expected, his cipher was everywhere. For instance, at the Tower of London the cipher was prominently featured on the building housing the Crown Jewels and on the uniforms of the yeoman who guard the tower grounds. With the Tower of London's rich history and museums, spotting ciphers for past royals was easy, as well. Near Parliament and across the Westminster Bridge, I noticed lampposts adorned with an intertwined “V” and "A" for royals of the past – Queen Victoria and her husband Prince Albert. Much has been written about their successful, loving marriage and, in my opinion, this special cipher is a clear nod to the deep love between them. While spotting royal ciphers around London, you'll also find cipher-like insignia for businesses, communities and non-royal nobility, a class of aristocrats with an inherited or granted title such as Duke or Earl. For instance, the Earl's Court Gate entrance to Holland Park in London's Royal Borough of Kensington is adorned with "HH" for Holland House. Holland Park, according to official borough information, is 54 acres spread across what was once the grounds of Cope Castle, the home to the Earl of Holland. When the Earl died his wife renamed the home Holland House. There's a much discussed monogram found throughout the City of Westminster in greater London. Stroll along those city streets and notice lampposts adorned with a fancy “W” and a pair of reverse facing "Cs" that look like the Chanel fashion house logo. The popular story is that the Duke of Westminster carried on a long affair with Coco Chanel during the 1920s. As a public declaration of his love, the Duke displayed their initials on lampposts all over the city. Adding to the intrigue is the 2011 book, “Sleeping With The Enemy: Coco Chanel’s Secret War,” by Hal Vaughan. The author dampens the flames of love with claims the French designer was a German spy during WWII with the code name “Westminster,” which the House of Chanel has denied . Did Chanel take advantage of the love-struck Duke for riches, access and information? Whatever the result, they’re forever together on practically every lamppost in sight. Or, so most people think. “ The Telegraph ” reported in 2010 that the “W” stands for the city itself and the double "Cs" means “City Council," according to Westminster officials in the story. Plus, the adorned lampposts weren't even installed until the 1950s, long after Chanel and the Duke were an item. Well, that’s no fun. The article also said the city was switching out the lampposts for plain ones. Those plans were either scrapped or the wheels of change are really slow because I spotted plenty of the monogramed lampposts. Royal Cipher Spotting Beyond London You know how once you’re made aware of something, then suddenly you start noticing it everywhere? That certainly happened to me with ciphers in and around London and even back in the U.S. during a visit to the Charleston Museum in Charleston, S.C. There, nestled among antique dishes and pots in a display case, I spotted ciphers for different King Georges. The ciphers were on items designed in the late 1600s to early 1800s for export to London. These artifacts are a reminder of the connection between the two countries and their historic cities. For a deep dive on ciphers, check out the website for The College of Arms . Another great option is The Postal Museum’s website, which has a wealth of information on ciphers, especially in stamp design.

If you love movies, then you probably love ALL the stories about them. Okay, movie fans, check out these documentaries highlighting some of the best stories about movie makers and movie culture. All of these documentaries are available on various free and subscription streaming services or YouTube. Links to trailers and/or the full documentaries are included in the descriptions. Everything is Copy–Nora Ephron: Scripted & Unscripted Directed by Jacob Bernstein and Nick Hooke, 2015 Do you ever wish you could say the perfect thing at the perfect time? Well, if Nora Ephron’s voice lived in your head, you could. The late writer and director was honest, funny, tough and had an uncanny ability to display human relationships with searing accuracy in print and on film. She’s the creative talent behind movies such as "Harry Met Sally," "Heartburn" and "You've Got Mail." Jacob Bernstein, the film's co-director and Ephron's son, brings her talents and life into sharp focus through home movies, television interviews and reflections by colleagues and friends, such as Meryl Streep. Dotted throughout the documentary are clips of Ephron's films and excerpts of her work read by actors, such as Meg Ryan and Reese Witherspoon.  The film is a fun and delightful walk through Ephron’s life that’s sure to make you smile and possibly help you go through life with a more observant eye. You’ll certainly wish you could have met Ephron and basked in all that swirled in her creative mind. Official Trailer Making Apes: The Artists Who Changed Film Directed by William Conlin, 2019 An interesting, and at times even moving, look at the talented team of artists led by John Chambers who helped propel movie making through their special-effects makeup for the 1968 sci-fi film "Planet of the Apes." The documentary also spotlights how "Planet of the Apes" was a game-changer in filmmaking and the industry at-large. From its incredible visual and sound effects to some of the most shocking film reveals and quotable lines in film history, "Planet of the Apes" was a HUGE success and influenced generations of filmmakers.  Even if you've never seen "Planet of the Apes," (please watch it!) there's much to enjoy and learn through this documentary. It's also the perfect time to learn more about the franchise’s deep influence and why it's endured while so many others have failed with the latest apes installment, “Kingdom of the Planet of the Apes,” set to release in May 2024. Fun fact, "Making Apes" touches on Chambers’ real-life role with the CIA to use a fake, sci-fi film ruse in 1980 to free American embassy workers in Iran. Ben Affleck chronicled the events in the 2012 Academy Award winning film, "Argo." The National Museum of American Diplomacy has a nice article about the unusual rescue. Official Trailer Full Documentary De Palma Directed by Jake Paltrow and Noah Baumbach, 2015 De Palma was part of the 1970s cinema renaissance along with George Lucas, Martin Scorsese, Francis Ford Coppola and Steven Spielberg. He's wowed and shocked audiences with incredible stories and shot sequences in films, such as "Carrie," "Dressed to Kill" and "The Untouchables."   For the documentary, the director discusses his career from the beginning and the result is revealing, insightful and entertaining. Through the documentary, we learn about his childhood and filmmaking influences, his role in redefining filmmaking, and the challenges of navigating the entertainment industry as an artist.  De Palma fans, and even those unfamiliar with the director's work, will appreciate how the documentary dissects filmmaking through De Palma's evolution from one film to the next. It ’s refreshing to hear an accomplished artist speak frankly about his creative process and career, especially what worked, what didn’t and why. Plus, the documentary offers a peek behind Hollywood’s illusive curtain with De Palma’s amusing insider stories that make you feel privy to a different world.  Official Trailer Making Waves: The Art of Cinematic Sound Directed by Midge Costin, 2019 Can you imagine "Jaws" without the “da, duh” as the shark chases its prey? Or, "Star Wars" without the sound of lightsabers colliding? Of course not. Sound is intrinsically linked to the movie-watching experience as it helps ignite our emotions and move the story forward.   "Making Waves" is a wonderful and entertaining look at music and sound in film. From iconic scores to special sound effects, this documentary explains it all while delighting viewers with film clips, a look at the evolution of sound in film, and commentary by acclaimed directors, sound professionals and actors.  The documentary also traces technological advances that propelled sound forward in film. Fun fact, Barbara Streisand insisted on Dolby stereo audio (a first in film history) for her 1976 movie, "A Star is Born." Her use of recording industry advances in movie making was groundbreaking and a turning point in film sound.  Official Trailer The Last Blockbuster Directed by Taylor Morde, 2020 Going to the video rental store was once a weekend ritual for all, but times changed and the stores shuttered. Blockbuster, the biggest and most recognizable video rental chain, filed for bankruptcy in 2014 and things came crashing down from there. All corporate-owned locations closed first followed by independently owned franchises, except for just one in Bend, Oregon, which is still going strong in 2024. "The Last Blockbuster" is a charming, nostalgic look at the video rental craze and the survival of a small business.  Fun fact, the Oregon Blockbuster store has great merch! After watching the documentary, we loaded up on T-shirts and sweatshirts featuring the iconic Blockbuster logo.  Official Trailer What She Said: The Art of Pauline Kael Directed by Rob Garver, 2018 Influential film critic Pauline Kael was loved and hated, which she probably considered a sign of doing her job well. "What She Said" examines the career of Kael, who spent the majority of her career writing for "The New Yorker." Today, anyone with internet access can write film criticism, but in Kael’s day it was an exclusive circle of writers at newspapers and magazines. Kael broke from the traditional, academic approach to film criticism. “She turned movie review…into an expressive art form,” writer Lili Anolik explains in the documentary.  Kael never minced words. Her opinions – in reviews and interviews – were witty, eloquent, clever, sarcastic and honest to a fault. Kael never caved to the review wishes of studios or advertisers and her opinions could make or break a film. She celebrated filmmaking that broke new ground and helped launch the careers of directors Brian De Palma, Martin Scorsese and Steven Spielberg. This documentary is an interesting look at Kael’s career, the subjectivity of art and the evolution of film criticism. The story is told through Kael’s own writings, her television interviews, film clips, and commentary by actors, producers, directors and fellow critics.  Official Trailer Harold and Lillian: A Hollywood Love Story Directed by Daniel Raim, 2015 This sweet, delightful and entertaining documentary is one part love story and one part movie-making magic. Harold and Lillian Michelson were behind-the-scenes masters of their fields – research for her and storyboarding and art direction for him. They contributed to hundreds of movies, including award-winning classics and fan favorites such as, "Rocky," "The Birds," "One Flew Over the Cuckoo’s Nest," and "Scarface."  Harold helped directors visualize their pictures as a skilled storyboard artist and won an academy award for his art direction and production design. For instance, the iconic shot of Dustin Hoffman through Anne Bancroft’s bent leg in "The Graduate" was Harold’s idea.  Lillian brought believability and authenticity to films through her research. Everything from accurate military uniforms and props for "Full Metal Jacket" to what a drug lab looks like for "Scarface." A tenacious researcher, she actually interviewed a retired drug lord and a DEA agent at the same time to gather needed insights about the drug trade.  The couple was so beloved in Hollywood that the Dreamworks studio team behind "Shrek 2" created the movie’s character’s King Harold and Queen Lillian in their honor. The documentary takes you on an enjoyable trip through aspects of filmmaking that are often overshadowed, as well as through the ups, downs and funny adventures of a couple raising a family. As a nice touch, cartoon drawings depicting the couple’s life are used among the one-on-one interviews, photographs, and film clips. Official Trailer A Hitchcock Documentary Double Feature: 78/52 Directed by Alexandre O. Philippe, 2017 There is a reason the shower scene in the 1960 film "Psycho" still shocks audiences today–it's Alfred Hitchcock’s brilliant direction. For the iconic scene, Hitchcock used 78 camera set ups and 52 cuts, hence the documentary's title. Philippe's delves into the designing of the scene and how it influenced future movie making. Hitchcock fans will relish the insights by film critics, directors, writers and actors as they discuss the scene, the film as a whole, and Hitchcock’s style and symbolism that’s thread throughout "Psycho" and his other work.  Official Trailer Hitchcock/Truffaut Directed by Kent Jones, 2015 Kent Jones’ documentary explores the lasting impact of the 1966 book "Hitchcock/Truffaut." In 1962, French filmmaker Francois Truffaut spent weeks interviewing Alfred Hitchcock about his work and approach to film. The two directors discussed in great detail Hitchcock’s work, even going frame-by-frame. The recordings were turned into a 1966 book that helped elevate Hitchcock’s status as a director who makes movies of substance and not just entertainment. The book also served as a filmmaking bible for legions of artists to come. Director Wes Anderson, for example, says his copy is so worn from years of continued reading and referencing it’s basically now an unbound "stack of papers."  Jones’ documentary includes clips of Hitchcock’s films and audio excerpts from the original interviews. In addition to Anderson, the film includes commentary from directors Martin Scorsese, Peter Bogdanovich, David Fincher and others influenced by the book.  Official Trailer Spielberg Director Susan Lacy, 2017 Steven Spielberg’s movies are part of our cultural fabric. His films make the hair on arms stand up and tears roll down our faces in both laughter and sadness. Through it all, he keeps our eyes glued to the screen. Only with Spielberg’s magical touch, for instance, do we believe an alien can be a father figure for a little boy. Anyone who doesn’t cry witnessing that special relationship is surely made of stone.  This wonderful documentary by Susan Lacy is a trip through Spielberg’s career and a walk down movie-memory lane. Spielberg discusses his evolution as a filmmaker with each picture, his influences, and his artistic hopes and goals. Insights are provided by movie-making friends and colleagues, including Tom Hanks, Leonardo DiCaprio, George Lucas, Martin Scorsese, J.J. Abrams, Drew Barrymore and more.  If you enjoyed "The Fablemans," Spielberg’s 2022 semi-autobiographical movie about his childhood and early film influences, then you’ll especially like tying it all together with this documentary. Once you’re done, you’ll want to re-watch all your favorite Spielberg films. Official Trailer Inside Jaws: A Filmumentary Directed by Jamie Benning, 2015 It’s a miracle Steven Spielberg's "Jaws" ever made it to the big screen considering its difficult production. But it did, it was a huge success and the phrase "summer blockbuster" was coined. Even though "Jaws" was released in 1975 (and the mechanical shark looks unrealistic against today’s CGI sharks), the film is just as engaging, scary and suspenseful today as it was then.  Filmmaker and podcaster Jamie Benning successfully breaks down the making of "Jaws" with his unofficial documentary using a non-traditional format called a "filmumentary." Benning takes the entire film and skillfully adds in deleted scenes, interesting facts and audio commentary culled together from Spielberg, the actors, and others involved in the production. It’s a deep dive that "Jaws" fans and movie makers in general will enjoy sinking their teeth into (pun intended).  If you like a more traditional documentary format check out "The Shark is Still Working: The Impact and Legacy of Jaws" by Erik Hollander or "The Making of Jaws," by Laurent Bouzereau. Full Filmumentary Becoming Mike Nichols Directed by Douglas McGrath, 2016 Mike Nichols was a legendary writer, director, and comedian. Known for his naturalistic directing style that drew in audiences, Nichols' career spanned six decades and along the way he joined the exclusive club of EGOT (Emmy, Grammy, Oscar and Tony award) winners. In this sit-down interview, filmed just four months before his death, Nichols discusses the early part of his career from his start in improv through his Best Picture Academy Award win for "The Graduate."  Throughout the documentary are clips of his work, including entertaining skits when he was part of the comedy duo, Nichols and May. Fun fact, when Nichols was making "The Graduate," he listened to Simon and Garfunkel’s "Sounds of Silence" album everyday before leaving for the studio. On one of those days, it hit him that the duo's music was perfect for the soundtrack. When he asked the pair for a new song to represent the character Mrs. Robinson, they simply switched the name of a song they were already working on called Mrs. Roosevelt. All of the "dee deets" in the song were space fillers because the lyrics were unfinished. Official Trailer Ok, fans, dim the lights, grab the remote, get comfortable and indulge your love of movies. Happy viewing!

Add the marshmallows to the cocoa, grab a fuzzy blanket and cozy up on the sofa–it's the final stretch for Christmas movie marathons! "Winter Break" programming on TNT and TBS, which began in November, continues to countdown during the last days of December. Tune in for movie favorites such as, "How the Grinch Stole Christmas," "Deck the Halls," and "Arthur Christmas." And, on December 24 at 8 p.m., settle in for the grand finale – the hugely popular 24-hour marathon of "A Christmas Story." For fans of half hour comedies, there's plenty for you, too. The two networks are airing marathons of holiday-themed episodes of popular shows such as "Big Bang Theory" and "Friends." Check out the full movie and television line up at Warner Bros. Discovery, the parent company of TNT and TBS. When these holiday movies roll around every year, it’s like reconnecting with old friends. Let’s get to know some of our favorites even better with movie trivia – the Christmas edition! A Christmas Story (1983) Directed by Bob Clark Written by Bob Clark, Jean Shepard and Leigh Brown A charming and delightful glimpse into the life of young boy named Ralphie (Peter Billingsley), at Christmas time in the 1940s. His quest for a BB-gun, a broken leg-lamp mystery, pink-footed bunny pajamas and a tongue stuck to a frozen pole are among the delightful highlights of this beloved Christmas movie. Did you know… • The house used in the movie, A Christmas Story House, is located near downtown Cleveland, Ohio, and open for tours and overnight stays year round. The Bumpus’ family house, which is next door just like in the movie, is also open for overnight visits. Across the street is A Christmas Story Museum, featuring behind the scenes photos, original props, costumes and memorabilia. • The movie is set in Indiana, but was filmed in Cleveland, Ohio, and Toronto. Higbee’s Department Store, which features prominently in "A Christmas Story," was an actual store in downtown Cleveland. The management’s willingness to allow filming is a big reason the city was chosen as a film location, according to achristmasstoryhouse.com. • "A Christmas Story" is based on Jean Shepherd’s life. The writer recounted his time growing up in Indiana in the '30s and ‘40s in a series of stories that were published in "Playboy" and collected for the 1966 book, "In God We Trust: All Others Pay Cash," according background by achristmastoryhouse.com. • Director Bob Clark first heard Shepherd’s stories on the radio in the 1960s while driving. He was so entranced, he drove around for an hour just so he could hear the entire story. Clark dreamed of one day bringing Shepherd’s stories to life on the big screen, but it took writing and directing the R-rated, teen movie "Porky's" to actually make it happen. "Porky's" (1981) was a huge hit and the studio wanted a sequel, but Clark wouldn’t agree unless making "A Christmas Story" was part of the deal. • Shepard narrates "A Christmas Story" and has a cameo. He plays a man waiting in line with his son to see Santa at Higbee’s Department Store. When Ralphie unknowingly jumps to the front of the very long line, Shepard’s character says, "Where do you think you’re going?" and points out, "The line begins here. It ends there." • One of the movie's iconic scenes is when Ralphie's friend, Flick (Scott Schwartz), touches a metal flagpole with his tongue as part of a dare. A hidden suction tube was used to create the illusion that Flick's tongue is frozen to the pole, according to IMBd.com. • Although, well recieved, "A Christmas Story" didn't get a big push by the studio when it was first releasted. It's popularity grew with the spread of cable television and back-to-back broadcasts for 24 hours on TNT and TBS. Now, the movie is a treasured classic and the marathons are an annual network tradition. Rudolph the Red-Nosed Reindeer (1964) Directed by Larry Roemer Written by Romeo Muller, Robert May and Johnny Marks A television classic that tells the origin story of Rudolph and how he came to lead Santa’s sleigh. Made by the entertainment company Rankin-Bass Productions, the puppet-like characters were brought to life using the stop-motion technique. Did you know… • Rick Goldschmidt, the Rankin-Bass historian, described "Rudolph the Red-Nosed Reindeer" as the company’s "crown jewel" in a 2020 "New York Times" article. The Rudolph production was the first in a series of popular television specials including "Santa Claus Is Comin’ to Town," and "The Year Without a Santa Claus." • The two main puppets, Rudolph and Santa, each cost around $5,000 to make in 1964, according to the NYT article. The puppets were constructed of felted wool, leather, wood and a metal armature. In Nov 2020, the production's original Santa and Rudolph puppets were sold for $368,000 at the Icons & Legends of Hollywood Auction by Profiles in History in Los Angeles, according to event coverage by "USA Today." The auction price was high, but the puppets themselves are actually small: Santa is 11" tall and Rudolph is 6". The anonymous winning bidder donated the pair to the Center for Puppetry Arts in Atlanta. The Santa and Rudolph puppets exchanged hands numerous times over the years and were restored prior to the Icons & Legends auction. The puppets spent a long time in the home of Barbara Adams, the one-time secretary of the company’s co-founder Aurthur Rankin, Jr. Adams’ nephew met with expert Simion Lipman on a 2005 episode of "Antiques Roadshow" to have the puppets appraised. The puppets, which were in rough shape after being in an attic since the 1960s, were appraised by Lipman for around $8,000 at the time. As a special "Antiques Roadshow" update segment, Lipman provides a nice history of the puppets along with video clips from that first roadshow appearance through the Icons and Legends auction. • The Misfit Toys gained more screen time thanks to concerned viewers, according to IMDb.com. In the original version of the show, the characters Rudolph, Hermey the Elf and Yukon Cornelius promise to help the toys after visiting their island. But, the toys never appear again. The show’s producers received droves of letters from children upset that the toys weren’t helped. The producers decided to add a scene showing Santa and Rudolph picking up the Misfit Toys for delivery to their new homes. This version has aired ever since. Elf (2003) Directed by Jon Favreau Written by David Berenbaum Buddy (Will Farrell) is an elf who leaves his North Pole home for New York City in search of his father (James Caan). During Buddy’s quest, he gets a job at Gimbels department store, falls in love, discovers his non-elf family, eats way too much sugar and saves Christmas. Did you know… • The scenes of Buddy exploring the city and interacting with unsuspecting New Yorkers was all impromptu. Favreau said in a 2018 "Rotten Tomatoes" interview that they didn’t hire a bunch of extras, but instead gave Ferrell free reign to interact with regular people. Favreau said they sat in a van with a camera to captured his antics "independent-film style." In the same interview, Ferrell said, "Here I was running around the streets of New York in yellow tights thinking to myself, boy, I do hope this works for a number of reasons. But this could easily be my last movie." Clearly, Ferrell didn’t need to worry. He’s since been the lead actor in dozens of movies, which have grossed more than $2.5 billion worldwide, according to the entertainment data source, thenumbers.com by Nash Information Services. • Instead of CGI, a visual trick called forced perspective was used in the set designs so  Ferrell’s character looks extra tall in comparison to the regular-sized adult and child actors playing the elves. • Favreau also discussed in the Rotten Tomatoes article that he was hired to rewrite the script, which had a much different tone originally. "It was a much harder comedy," he said. "My pitch, when I was hired to write, was to make it feel like Buddy was a human that grew up in a ‘60s Christmas special." The Christmas specials Faverau refers to include those by Rankin-Bass Productions. "Elf" gives a nod to those beloved shows in the scene when Buddy leaves the North Pole for New York. The set design of the North Pole is reminiscent of the Rankin-Bass look and the animals, such as the narwhal that Buddy talks with, move using stop-motion animation just like the Rankin-Bass puppets. • Comedian and actress Wanda Sykes was originally cast to play the Gimbels store manager, but was replaced by Faizon Love, according to IMDb.com. Look closely and you’ll notice Love’s character wears a name tag that reads "Wanda." • In the 2022 movie "Spirited," which is a modern take on "A Christmas Carol," Ferrell’s character encounters a man wearing the Buddy costume from "Elf." Miracle on 34th Street (1947) Directed by George Seaton Written by George Seaton and Valentine Davies A delightful story of a mother (Maureen O’Hara) and her daughter (Natalie Wood) who don’t believe in Santa Claus. But, their faith is restored thanks to a department store Santa (Edmund Gwenn), a.k.a Kris as in Kris Kringle, who just might be the real thing. Did you know... • Davies wrote the film after being bombarded by commercialism during a Christmas Eve shopping trip, according to a AMC's Hollywood Backstories show about the film. It made Davies wonder, “What would Santa Claus think?” • Although a classic Christmas movie, it was actually released in May. Studio head Darryl Zanuck wanted to tap the large, summer movie-going audience and not wait until the holidays. So, the movie was marketed as a light-hearted love story with no mention of the Christmas, according to the AMC documentary. The movie was a hit and ran in theaters all summer and through Christmas. • For added realism, the parade scenes were shot live during the actual 1946 Macy’s Day Thanksgiving parade. Gwen was the parade Santa for not only the movie, but also in the actual parade. "Everything was done on the street and it was bitterly cold, freezing cold," said O'Hara in the AMC show. "We were all pre-coached in everything that they wanted because the parade wasn't going to stop to let us shoot anything. So, we had to do everything quickly, quickly, quickly and we did." • The management of the Macy’s and Gimbel’s department stores would not approve their inclusion in the film until they saw the final, finished cut. This was a risking move by the filmakers that could have resulted in costly reshoots and extensive editing if they had declined. • When Gwenn won the Best Supportingiii Actor Oscar for his role, he declared, "Now, I know there is a Santa Claus." • In the film, Gwenn’s character takes Alfred, a janitor and part-time Santa Claus (Alvin Greenman), under his wing. For the film's 1994 remake, Greenman played a doorman, also named Alfred. He was the only cast member to return for the film's remake. After years working as a young actor, Greenman spent the rest of his career behind the camera as a television script supervisor for popular shows like Hearts Afire. The year of the film remark, Greenman made a special on-camera appearance on Hearts Afire's Christmas episode as Santa. Greenman talks about both expereinces in an Entertainment Tonight segment. Home Alone (1990) Directed by Chris Columbus Written by John Hughes A young boy (Macaulay Culkin) is accidentally left at home when the entire family leaves for a vacation abroad. The boy has to navigate being on his own and contending with determined burglars (Joe Pesci and Daniel Stern). Did you know… • In a 2004 interview with Conan O’Brien, Culkin said Pesci bit his finger during rehearsal, which left a scar on his finger. In the scene, Pesci and Stern hang the young boy on the back of a closet door and they say they're going to bite one of his fingers off. “I got really mad at him,” Culkin told O’Brien. “I don’t care how many Oscars you have or whatever, like don’t. Biting a nine year old–what the heck’s wrong with you?” • Elvis appearing as an extra in "Home Alone" is among the urban legends that swirl about the film. Culkin explained to Jimmy Fallon in a 2018 "Tonight Show" interview that the legend is rooted in the scene where Catherine O’Hara, who plays Culkin’s mother in the movie, is at the airline counter trying to buy a ticket. Standing behind her is a man in a beard wearing a turtleneck and a blazer. Conspiracy theory enthusiasts believe the man looks like the King of Rock ‘N Roll. Another legend is that Culkin’s character, Kevin, is so traumatized by his experiences that he is the basis for the character Jigsaw in the “Saw” horror movie. It’s a Wonderful Life (1946) Directed by Frank Capra Written by Frank Capra, Frances Goodrich and Albert Hackett After a series of upsetting events, George Bailey (Jimmy Stewart) is resentful about his lot in life. An angel named Clarence (Henry Travers) gives George the opportunity to see what life in Bedford Falls would be like if he had never been born. Did you know… • "It’s a Wonderful Life" is based on the 1943 short story "The Greatest Gift" by Phillip Van Doren. • The movie was a flop for RKO Studios and critics weren’t too wowed by it either, yet it earned several academy award nominations including Best Picture, according to a 2021 online article by the National Endowment for the Arts. • The movie gained in popularity once its copyright expired and could be broadcast frequently royalty-free on television. • "It’s A Wonderful Life" changed how snow was made for movies. At the time, productions used cornflakes painted white. Capra thought cornflakes would be too loud and require dialogue redubbing, according to TCM.com. Instead, the special effects team created a new kind of fake snow using a mixture of foamite (a fire-fighting chemical), soap and water. The solution was pumped at a high pressure through wind machines. Look closely during the scene when George and Clarence are in the river and you can tell it’s a soapy concoction. The Motion Picture Academy awarded RKO’s special effects department an Oscar for the advancement. The Grinch (2018) Directed by Yarrow Cheney and Scott Mosier Written by Theodor Seuss Geisel (Dr. Suess) with adaptation by Michael LeSieur and Tommy Swerdlow The Grinch (Benedict Cumberbach) resents the holiday love and cheer of the Whoville residents. His plans to ruin their Christmas are thwarted when he finally opens his heart. Did you know… • This animated version of the Dr. Seuss classic holds the Guinness World Record as the most successful Christmas movie at the box office worldwide. The film earned $514 million* between its release in 2018 and 2020. The previous record holder is "Home Alone" with more than $476 million* at the worldwide box office. *not adjusted for inflation • In the scene when Cindy-Lou Who (Cameron Seeley) and her friend go into a treehouse, there’s a baseball bat with the name "Theodor" carved into it. This is the filmakers' subtle tribute to the story’s original author. • This movie's version of the Grinch first made its screen debut in another animated film, "Despicable Me 3" (2017), according to IMDb.com. In the movie, the character Margo wears a t-shirt with this Grinch on the front. Both of these movies were made by Illumination Entertainment, which sometimes places "easter eggs" in one film as a call-out to another that’s premering at a later date. White Christmas (1954) Directed by Michael Curtiz Written by Norman Krasna, Norman Panama and Melvin Frank Two well-known entertainers and veterans (Bing Crosby and Danny Kaye) help their former Major General save his inn with a special holiday show. In the process, the men fall in love with sisters (Rosemary Clooney and Vera Ellen). Did you know… • For casting, the actual ages of the actors in "White Christmas" were ignored (not too surprising). Jagger, who played the retired and much older Major General, was actually six months younger than Crosby. Both men were 51 at the time. Clooney, who was 26 years old when the movie premiered, played the oldest sister, yet Ellen was 33. • The scene where Crosby and Kaye do their version of the "Sisters" performance was added to the script after the pair were clowning around on set and the director thought it was funny, according to IMDb.com. Crosby's laughs are unscripted – he couldn't keep a straight face while watching Kaye's antics. • Written by Irving Berlin,"White Christmas"is Crosby’s signature song and the best selling single of all time, according to irvingberling.com, the Irving Berlin Music Company website. Crosby debuted the song in December of 1941 on his weekly radio show, "The Kraft Music Hall." In addition to the movie "White Christmas," Crosby also performed the song in the films "Holiday Inn" (1942) and "Blue Skies" (1946). Berlin attributed the song's success to it's message of peace (it was released during World War II).

Jack Smith Park in Cary, N.C., is the perfect microcosm of what I look for in a “little adventure” outdoors – entertainment, creativity and natural beauty. The park has all the typical parts you’d expect like brightly-colored playground equipment and nicely landscaped green spaces, but what’s not typical are the art installations. The towering whirligig sculptures of Vollis Simpson, a farmer/machinist turned folk artist, comprise the park's delightful centerpiece. If you've ever played with a pinwheel, then you understand whirligigs – toys and objects that move, or rather whirl, by wind power. The park’s three whirligigs, standing at least 20 to 30 ft each, are painted in bold, contrasting primary colors. One whirligig looks as if it's covered in a bouquet of flowers, but are actually textured circular sculptures and fan blades of various sizes painted in dynamic patterns. Each one spins independently when the wind blows. My favorite of the three whirligigs features a pipe-smoking farmer working a well pump as a little bird looks on. Simpson was commissioned to create the park’s whirligigs and clearly this one is a nod to the site’s past as a working farm. The farm's history was also the inspiration for an installation along the park’s walking path. William Moore, a sculptor from nearby Pittsboro, N.C., created a flock of sheep that resemble the Suffolk breed that were once raised on the land, according to park signage. The sheep are crafted of cement and painted with the breed’s distinctive markings – a black face and legs. Moore’s sculptures are beautifully done in a modern style. The flock is separated into three pods that look natural along the edge of the park’s large grassy field doing what sheep do – grazing, looking around and scratching their side. The installation is intended to be interactive and every time I visit the park, children run down the hill to climb and sit on sculptures. Jack Smith Park is located in southeastern Cary as the area starts to turn less suburban and more rural. The park is small, well-maintained and nestled among trees that provide shade along parts of the walking path that winds around the entire park. For families, there are plenty of activities all close to each other, including a splash pad with several water features, playgrounds designed for different ages and a 10ft tall climbing structure. Plus, there’s a large covered picnic area. Down the hill is a wide field that's perfect for frisbee and soccer. The main area of the park is a short drive toward the back of the property. At the park’s entrance is a dog park with separate areas for large and small breeds. Jack Smith Park, like all other parks, is designed to connect us with nature and find enjoyment. I love that the art installations add to the park’s cheerfulness and escapism. Maybe the imaginative work of Simpson and Moore will help inspire park visitors, as well. If you like Simpson’s whirligigs, the most impressive collection is the two-acre Vollis Simpson Park in Wilson, N.C. Simpson lived on a farm in Lucama, which is just outside Wilson. The downtown park features 30 of Simpson’s large-scale whirligigs. The city also hosts the annual Whirligig Festival every November celebrating art, music and food. To learn more about Moore’s work, visit the Chatham Artists Guild or his personal site for Rock Rest Studios.